“Life begins where fear ends.” -Osho

The universe is dancing along, the universe is singing a song, the universe is dancing on a day like this…and its high time to dance, its high time to dance, its high time to dance so Wake Up and Dance!”
Many of you have heard this song at celebrations at OMC or other Osho Sanghas. Its one of the old Osho love songs that we play for celebrations and when Samir plays it live at our OMC events, it certainly lifts our energy.

This November, 2020 we at OMC declare that it is High Time To Dance and are creating many different dance meditations which will be posted on our calendar, sent out in our newsletter, etc.

In preparation for this, we have been looking at Osho quotes about dance and have found so many beautiful ones that we decided to post them here- Enjoy and we hope to be dancing with you all of next month! Stay tuned as we have a special guest coming live stream from Australia!!

A Few beautiful Quotes from Osho on DANCE:

“If you start listening to the body,
listening to nature,
listening to your inner being,
you will be more and more happy.
Become a good listener to nature.”

“Start with the body. It is your home.
Love it, accept it, and in that very love you are growing towards harmony.
This harmony will lead you to Being.”

“Your trust in the total opens all your sensitivities to their extreme. This whole existence becomes a sheer dance, a sheer celebration.”

“Dancing is not just a movement. When a movement becomes ecstatic then it is dance. When the movement is so total that there is no ego, then it is a dance.”

“To be creative means to be in love with life. You can be creative only if you love life enough that you want to enhance its beauty, you want to bring a little more music to it, a little more poetry to it, a little more dance to it.”

“When you dance, you become a whirlwind and by and by, you are completely lost in your dancing, it happens – something breaks down inside you, the barriers are lost – you become one unity. A great orgasm spreads all over your being. You are in tune with existence in those moments.”

“Life is a dance… the dance goes on with us and without us.
The dance is. It always is – stones dance as surely as stars. A rock is a slow dance; a flower is a little faster… The choice is ours: to dance with the quick, or to join the procession of the dead. The way of the dead brings security, comfort, fame, so that there can be no good reason to join the dance. To give a motive to this way of life, which is the way of love, is to belittle it. The whole point is its pointlessness. One dances for no reason, as the rose opens in the morning and is for no reason red. There is no virtue in it.
The dance of life is God’s dance. You can participate in it or you can withhold yourself. There is every reason to withhold – the society is afraid of all those people who start dancing with God, because they become dangerous, they become rebellious, they become free. They are no more slaves, they throw their chains, they get out of all prisons. They dance in the streets, they dance under the stars, they participate in God’s dance. They are not afraid of death, so they cannot be reduced to slaves.”

“What is a dance? how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.”

“The dance need not wait for tomorrow–tomorrow never comes–the dance has to be now, here, this very moment!”

The Cosmos is the Dance of Opposites – “Gesture is the most profound medium of expression because it touches the deepest parts of man’s mind and heart. Dance reaches where words fail. The sound of the ankle bells of a dancer says a lot even where speech is ineffective. Dance is more articulate than anything else. A dancer can go from one end of the earth to another and will, more or less, make himself understood through his dance. No language will be needed to understand and appreciate him. No particular level of civilization and culture will be required to understand a dance. Dance is a kind of universal language; it is understood everywhere on this planet. Wherever a dancer goes he will be understood. Man’s collective unconscious is well aware of this language.

To me, the great raas happening in infinite space, with millions of stars like the sun and moon dancing rhythmically, is not an ordinary dance. It is not meant for entertainment; it is not show business. In a sense it should be described as overflowing bliss. There is such an abundance of bliss in the heart of existence that it is flowing, overflowing. That is what we call the river of existence. The presence of the polar opposites in the universe facilitates its flow.

Man alone cannot flow; he needs the presence of woman. Without the woman man is inhibited and closed. In the same way, without man the woman is inhibited and closed. Their togetherness causes their energies to spring into the form of love. What we know as love between man and woman is nothing but the flowing of yin and yang together. And this love, if it is not personalized, can have great spiritual significance.
The attraction of man and woman for each other is what brings them together so that their latent energies flow into the stream of love and life. That is why a man feels relaxed with a woman and a woman feels at ease with a man. Separated and alone they feel tense and anxious; coming together they feel as light as feathers, weightless. Why? Because something in them, some subtle energy has become alive and moving, and as a result they feel at home and happy.

Unfortunately we have been trying to put man and woman in a cage, the cage of marriage. But as soon as we bind them with marriage and its institution, their energy ceases to flow, it stagnates. Life’s play has nothing to do with institutions; it cannot be institutionalized. Krishna’s raas does not have an order, a system; it is utterly free and spontaneous. You can say it is chaotic. It is chaos itself.

There is a significant saying of Nietzsche’s. He says, “It is out of chaos that stars are born.” Where there is no system, no order, only the interplay of energies remains. In this interplay of energies, which is raas, Krishna and his milkmaids cease to be individuals, they move as pure energies. And this dance of male and female energies together brings deep contentment and bliss; it turns into an outpouring of joy and bliss. Rising from Krishna’s raas this bliss expands and permeates every fiber of the universe. Although Krishna and his girlfriends are no more with us as people, the moon and the stars under which they danced together are still with us, and so are the trees and the hills and the earth and the skies that were once so drunk with the bliss of the raas. So, although millennia have passed, the vibes of the maharaas are still with us.”